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Royal Echt

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Among his many inventions, Seger developed new kinds of porcelain underglaze colours, as can be seen on the wall plate showing a view of Berlin Cathedral.

Oxblood , celadon , crystal- and dripped glazes were created, inspired by Chinese ceramics. They enabled new forms of artistic expression, which made Seger into an early pioneer of Art Nouveau.

With painted porcelain tiles, he helped the company to achieve commercial success. His successor, Theodor Schmuz-Baudiss, artistic director as of , promoted the use of Seger's glazes, and thus brought KPM fame and admiration at international art exhibitions.

The sculptor, Adolf Amberg, created the design of centerpiece consisting of several figurines made of silver, in honour of the wedding of Crown Prince Frederick William of Prussia and Cecilie of Mecklenburg-Schwerin.

However, the design was too daring for the court, as the bride was depicted naked. Theodor Schmuz-Baudiss recognised the artistic significance of the design and had it transformed into porcelain in However, the KPM mark and the sceptre were retained.

The aim was to design contemporary, matter-of-fact household porcelain. In the s, the assumption of power by the National Socialists had serious consequences for many of KPM's artists: Marguerite Friedlaender was forced to emigrate because of her Jewish background.

Ludwig Gies and Gerhard Marcks were dismissed and denied exhibitions because of their loyalty with Jewish colleagues.

In , the art teacher, painter and writer Gerhard Gollwitzer, who had been dismissed from his teaching position, became artistic director of KPM.

In the nights of 22 and 23 November , the manufactory's premises were destroyed in an Allied air raid. From Franconia, KPM continued to supply the market with decorative porcelain and tableware.

In the meantime, some of the staff reconstructed the Berlin premises. In , manufacturing returned to the historic premises in Berlin's Tiergarten district after they had been rebuilt.

In the s, KPM began to re-emphasize its cultural and craft traditions. It rediscovered historic shapes, colours and patterns.

Important dinner services from the era of New Objectivity were reissued. At the same time, the production technology was updated.

In , after several previous attempts at privatisation, Berlin banker Jörg Woltmann took over the Royal Porcelain Manufactory Berlin and became the sole shareholder.

In the same year, KPM opened its newly designed sales gallery in the historic kiln hall. In the recent past, new ground has been broken through collaborations with luxury brands, such as Bottega Veneta and Bugatti Automobiles.

On the occasion of KPM's th anniversary in , the special exhibition Royal Porcelain Manufactory Berlin provided a representative overview of the manufactory's creative periods, with works from 18 private collections.

When Frederick the Great took over the manufactory from the Berlin merchant Johann Ernst Gotzkowsky on 19 September , he also provided the brand's emblem: the cobalt blue sceptre from the electoral coat-of-arms of Brandenburg.

The porcelain is marked after the first firing and before the glazing process. Before the sceptre is applied to the porcelain, the item is subject to strict quality control measures.

Afterwards, the porcelain is glazed and fired for the second time. The color bonds inseparably with the glaze and makes the piece of porcelain forgery-proof.

In the beginning, the trademark was applied in blue on white porcelain and in brown on painted porcelain. In , the letters KPM were added to protect the brand from counterfeits.

A few years later, the royal Prussian eagle became part of the trademark. In the following decades, the trademark underwent slight changes until the production was transferred to Selb.

In , the letters KPM were reintroduced as part of the logo. Since , painted porcelain has been receiving an additional mark in over glaze-colour to confirm the authenticity of the decor.

Today, an imperial orb is usually stamped next to the sceptre. It is proof that the decor has been done by a KPM porcelain painter.

The colour of the orb differs according to the type of decor. A red orb indicates all floral painting as well as figurative scenes and landscapes.

A green orb is used for all non-floral decorative elements. Items with a blue orb are fired at a very high temperature and are dishwasher safe.

A black orb is used to mark items with printed decor — for example, customized pieces featuring company logos.

Generally, the decors of KPM Berlin are hand painted. The porcelain painters are free to interpret the motifs within the design specifications.

When finished, the painter signs the porcelain he has decorated. Each piece of porcelain thus becomes a unique work of art. KPM has created a large number of services, vases and figurines.

The manufactory draws from an ever-growing stock of more than , moulds. Some of the moulds have been in production more or less unmodified since the company was established years ago.

Under the auspices of the KPM workshop, porcelain figurines of many different styles have been created in the last years.

One of the highlights is the Prinzessinengruppe Two Princesses , a statue based on the design by Johann Gottfried Schadow. It was created in for a double royal wedding, and is considered to be a major work of early Classicism.

Animal sculptures have played a significant role throughout the history of KPM. The Berlin manufactory's works artfully illustrate nature.

A clever play of light and shade, and naturalistic decoration make them appear lifelike. The numerous animal figurines continue to include designs from the manufactory's early days up to the present day.

Great artists and designers of all style periods — from Rococo to Modernism — have created high-quality vase designs for the manufactory.

Many of them have become timeless design classics. Around , several classicist vases were designed by Karl Friedrich Schinkel like Trompetenform trumpet shape or Fidibus.

Inspired by basic geometric shapes like ellipse and cone ceramic artist Friedlaender created seven harmoniously proportioned vases.

The clear form of the square-shaped CADRE vase reflects one of the main requirements of the New Objectivity style that form should follow function.

Vase, produced c. Located at Birmingham Museum of Art. Diana um Jagdschloss Grunewald , Germany.

From Wikipedia, the free encyclopedia. German porcelain manufacturer. Proto-celadon 16th century BCE Celadon 1st century Yue 2nd century Ding 10th century Qingbai 12th century Jingdezhen 11th century on Blue and white 14th century on Blanc de Chine 14th century on Kraak 16th century Swatow 16th century Tianqi 17th century Kangxi 17th century Famille jaune, noire, rose, verte 17th century Canton 18th century.

Korean porcelain. Goryeo 10th century Joseon 14th century. Japanese porcelain Japanese export porcelain. List of companies French porcelain Chinese porcelain in European painting Armorial ware.

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